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ophie

Ms. Leonard makes her international, house, and role debut with Garsington Opera as Sophie in Der Rosenkavalier in June 2021.

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hrisann

Ms. Leonard returns to the role of Chrisann Brennan in Bates’ The [R]evolution
of Steve Jobs with Austin Opera and Lyric Opera of Kansas City in the 2021-2022 season.

I N F O

JUST ANNOUNCED: 2021/2022

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ighlights

In the 2020-21 season, she makes a return to Seattle Opera as Adina in a filmed version of L’elisir d’amore and makes her international, role, and house debut with Garsington Opera as Sophie in Der Rosenkavalier. In the 2021-22 season, she will make her debut with Utah Opera as Mabel in The Pirates of Penzance; return to the role of Chrisann Brennan in Bates’ The [R]evolution of Steve Jobs with Austin Opera and Lyric Opera of Kansas City.

C A L E N D A R

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iography

Rising young soprano Madison Leonard is a 2018 winner of the Metropolitan National Council Auditions, at which she sang arias from Rigoletto and Hänsel und Gretel with Bertrand de Billy conducting. In the 2020-21 season, she makes a return to Seattle Opera as Adina in a filmed version of L’elisir d’amore and makes her international, role, and house debut with Garsington Opera as Sophie in Der Rosenkavalier. In the 2021-22 season, she will make her debut with Utah Opera as Mabel in The Pirates of Penzance; return to the role of Chrisann Brennan in Bates’ The [R]evolution of Steve Jobs with Austin Opera and Lyric Opera of Kansas City.

B I O G R A P H Y

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udio

Listen to selections from Rigoletto and Hänsel und Gretel.

A U D I O

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allery

View promotional photos and photos from recent productions, including Idomeneo, Romeo et Juliette, The [R]evolution of Steve Jobs, and more.

G A L L E R Y

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edia

PRESS

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© 2018 Fay Fox

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'An Afternoon of Opera Stars in the Making' by Anthony Tommasini, May 1, 2018

"The three other winners struck me as more fully formed...Madison Leonard, 26, a soprano, brought a bright, dexterous voice and sassy charm to an aria from Humperdinck’s “Hänsel und Gretel,” and was especially at home in “Caro nome” from Verdi’s “Rigoletto.” She seems headed intrepidly into the lyric-coloratura repertory."

ress

THE NEW YORK TIMES

P R E S S

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onnect

Ms. Leonard is represented by Sempre Artists. For all professional inquiries, find contact information for Sempre Artists below.

Kristin Cowdin

President + Artist Manager

(212) 652-8895

C O N T A C T

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ocial

Ms. Leonard maintains an active presence on social media. To follow behind-the-scenes, connect with her on Facebook + Instagram.

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